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scooping stars © erin faith allen

scooping stars © erin faith allen

Today as the rain falls in Northern California, I am bundled up under lots of layers and conjuring up the myth of Persephone, ancient queen of the Underworld.  Persephone was the overly sheltered offspring  of Demeter and Zeus.  One day, while frolicking in flowery fields with the nymphs, she was quite suddenly kidnapped by Hades, fierce god of the Underworld, and kept in his lair.   After much hullabaloo on the part of her mother, who rallied all the other gods and goddesses against Hades, Persephone was freed.  However, prior to her release, crafty Hades tricked her into eating magic pomegranate seeds which forced her return to the Underworld for a season each year, where she ruled with him as half-prisoner, half-Queen.   And so the seasons were born.  Winter marks Persephone’s descent into the Underworld, with the shortening of days and the death of vegetation.  She then rises to the Upperworld in the spring, and the earth celebrates.  Blooms abound and the sun extends it’s daily romp in the sky.  (For a thorough description of the myth go to: http://en.wikipedia.org/wiki/Persephone).

brightness to black © erin faith allen

brightness to black © erin faith allen

My love affair with Persephone is not just about the surface story of her seduction into the darkness by the clever Hades.  She comes to life when I dive beneath that, in typical Persephonic fashion, to the energy and symbolism, to the guidance and illumination of this Underworld Queen.  Persephone teaches me about duality, transition, surrender, and holding space for myself even when blinded by my own darkness, or stumbling about in a subconscious maze of self-sabotauge.  She models authenticity, courage, and reminds me of my sensual and creative energies.

symbiosis © erin faith allen

symbiosis © erin faith allen

I understand the universality of her fragility, and that it is precisely her delicacy which is her power.  If there is a world between the Underworld and the Upperworld, this is it: the landscape of vulnerability that sits in the transition.  Skillfully navigating this transition is the jewel in her crown.  It is what the archetype of Persephone herself embodies as she glistens and glides from world to world.  Opera with the angels or bellows with the beasts of hell, she does not identify solely with either end of the spectrum because she has integrated the opposites within her.  She does not know blindness in darkness.  She does not know deafness in thunder.

In my minds eye, she is a shimmering slither of a shadow, a lithe and nimble shape-shifter of grace, dignity, and authority.  I see a woman-child with soft budding breasts made of blossom, and tendrils of hissing shadow crowning her head.  I hear a cackle and a giggle, I feel her vulnerability and her strength, and in my veins I carry the pulse of Persephone who chose to rise above victim status in order to gain her crown as Queen.

home © erin faith allen

home © erin faith allen

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highlands © natalie flemming

highlands © natalie flemming

I Am The Fool

Please don’t taunt or titter
I am the fool, transcendent
I teeter on the edge of time
and timelessness. My passion
is the universal.  In awe, I ask

what can I create for a creator
who builds forests from an acorn
and holds the stars and planets
in the wonder of the cosmos?
Creation has my trust and adoration

dancing in the palm of her hand.
She hands me ideas,slippery things,
little scraps I catch on paper
lest they escape and elude me.
I know I missed the boat

called perfection but my errors
are portals of discovery and there
are times when a little madness
sets me free. I close my eyes, delve
into secrets and the mystical.

My curiosity peers into a future
of infinite creative energy, of life
and death, beyond knowing, all that is,
and all that is not. There lies my muse
she asks me to leap and a net appears.

(written by Gael Bage)

wellies © natalie flemming

wellies © natalie flemming

Gael Bage came late to poetry, after a career in nursing and nurse management, while raising three children, she has had poems published in Mindfire, Amaze,  Loch Raven Review, Fireweed and SAW 2 magazine, including one editor who saw her poems on Sam Hamil’s Poet’s against war site and asked to use them in a Spanish magazine She received an Hon mention for the first haiku she sent to Mainichi haiku contest. One of her favorite forms is the Fibonacci, a workshop article she wrote about Fibonacci and poetry appeared in Mindfire. She believes in the interdependence and Oneness of All and has great respect for universal intelligence expressed through nature. Many of her poems can be accessed at her blog on Gaia.com, under her pen name Zephyr.

Natalie Flemming is a photographer whose work can be found at: http://www.flickr.com/photos/ambervisionaire/.

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